De-essing the vocal master track can help correct this issue when it presents itselfĪnother helpful read for more information on de-essing: “ What Is A De-Esser and How Does It Work?” Use a Narrow EQ to Cut Harsh FrequenciesĮQ can be a great tool for reducing specific harsh frequencies overall.
This is because sometimes the combination of lead vocals with backgrounds and other tracks may create harsh frequency build-up at the master level. Often I will de-ess directly on an individual vocal track and also on the overall vocal master that affects all vocal tracks if I see fit. By distributing the de-essing work amongst two or more de-essers in series, you’ll split the workload and can tame the harshness in your vocals more transparently. You may also use several de-essers in series to tame the harsh material more moderately and in stages, as opposed to using one de-esser aggressively to treat the issue. This would leave the vocal primarily unaffected when there aren’t any harsh moments, and only have it engage and reduce problem areas when we really need it to. We can use a de-esser to reduce the volume of these harsh moments only when they happen. Waves Renaissance DeEsser – a popular de-essing pluginĪ de-esser is essentially a form of multi-band compression that focuses solely on compressing the frequency range that typically contains “S”, “CH” and “T” sounds, often between 2-10khz but potentially higher or lower depending on how you set it up.
This can be applied to individual vocal tracks or directly on a vocal master that controls a group of vocals. Use a De-Esser to Tame Harsh FrequenciesĪ common quick fix for this issue – or at least a good starting point – is to use a de-esser to tame harsh frequencies on your vocal. Some, none or all of these strategies may apply – use your best judgement to decide which approach to use, and how to organize your session in order to achieve the best results. Therefore, when approaching harsh vocals, we must be aware of how we can correct this problem without affecting the parts that aren’t problematic.
These resonances often don’t happen all the time but rather only when certain consonants, phrases and notes occur within the vocal performance. The true problem with harsh vocals is that they are caused by specific frequency resonances within the high frequencies of the vocal track.
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